Robin Davis: The Interview
Robin Davis currently dances for Winifred Haun & Dancers, runs her own company The Human Experience Dance Project, does administrative and teaching work for Khecari and somehow manages to teach at multiple schools at the same time. They’re a busy person and a great dancer!
Photo by William Frederking Photography
How did you start dancing?
When I was two years old I saw a woman singing on stage and I wouldn't leave my parents alone until they organized a way for me to be on stage. The easiest way to do that was to register me for a dance class with a recital and the rest was history!
What's your relationship with Darvin Dances?
I was hired for the original Navigating the After when Mariah was an independent choreographer and Halloween Creepy Crawlies as a performer!
Photo by Lumosco Photo
How has your relationship with dance changed over the years?
I used to really let other people determine if I was succeeding or not, but now I've realized everyone's dance goals are different, so I can't judge myself based on another person's goals or achievements, all I can do is pursue my own goals!
What are your choreography and teaching philosophies?
As a choreographer, I am interested in creating visceral human experiences that everyone can identify with and relate to. I really value the creation space (rehearsal) as much as the performance and final presentation (after all we spend so much more time in rehearsal) and I try to create a space where everyone in the room feels free to share their personal opinion and experience.
Teaching I've realized more lately is a sort of practice of improvisation to me, I can know all the lessons, goals, and phrases that I want to share like the back of my hand but if I'm not willing to meet my class where they are and teach in a way that is engaging to them that day then it's pointless!
What is something you would like to see change in the dance world?
I really want dance spaces to be more accessible for people who struggle with mental health and other disabilities. Dance spaces have perfectionist energy at times that I feel detracts from the practice of art and is exclusionary. This also looks like fair pay and safe dancing environments with creative directors and choreographers that have the capacity to manage their own emotions in a healthy way!
Just for fun questions: What's your favorite drink? What's your favorite dance space in the city?
I'm down for any cider on draft (it’s a problem I'm obsessed).
I really love The Rooted Space and Chicago Movement Collective!